Review - La Double Vie de Veronique (1991)

Kieslowski's directing in this movie (winning two director awards at Cannes) is so accomplished that it reminds you of the great artists, such as Degas, referenced here. This really is an astonishing movie, although it fades quickly in the memory, and becomes forgotten. Re-visited, it quickly becomes, again, an all-time favourite, and is tricky to encapsulate. So what is it that makes this movie the greatest ever example of European film directing? A key ingredient is Zbigniew Priesner, Kieslowski's long time collaborator, who provides an operatic base, an absolutely sublime and resonant tune that pervades the movie to such an extent that it becomes its soul. Kieslowski has been criticised for not being especially good at directing his actors, relying on them to understand the spirit of the movie, whilst he concentrates on the imagery, but his handling of actress Irene Jacob is excellent, and she delivers a fantastic performance. A third key ingredient is the cinematography, delivered by Slawomir Idziak, which is a stunning use of colours and themes, with every scene displaying an astonishing attention to detail, and inkeeping with Kieslowski's overall vision for the movie.

 

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Irene Jacob

Jacob (previously in Au Revoir Les Enfants, but little known outside France at the time) plays Veronika an independent free spirited girl from Krakow with a burgeoning talent - her operatic voice, who wins an audition and is about to launch a career as a soloist, but the strain of hitting the top notes causes her death on stage due to a heart defect. She also plays Veronique, a French girl who cuts short her own musical career because she is diagnosed with the same condition. The two never meet except for a glimpse from a bus when Veronique visits Poland. Kieslowski wisely avoids the cliche of cutting between the two lives, preferring to concentrate on Veronika, and then Veronique. There is a spiritual connection between the two, and also a human connection, as Veronika's boyfriend, a puppeteer named Alexandre (Philippe Volter) visits Paris for a show. Veronique is drawn to the puppeteer until she finally understands why she has always had the feeling of being in two places at once.

The Double Life

At times we feel that there is a missing ingredient as the film plays out, until we are periodically reminded what this iis. Once more we hear Preisner's haunting composition Concerto en Mi Mineur, using Dante's poem To The Sky as lyricsVan den Budenmayer Concerto en Mi Mineur and associated with fictitious Dutch composer Van den Budenmayer. It produces a hypnotic affect. Kieslowski has really gathered his A team for this movie, including his long time collaborator, co-writer Krzysztof Piesiewicz. The outcome is a new benchmark for art house movies.

10/10 Unsurpassed

Review written by John Franklin : January 2012

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