Review - Brighton Rock

This adaptation of the Graham Green novel is a timely re-make of the classic 1947 movie, which starred Richard Attenborough as Pinkie. Here we have Sam Riley in the same role, a menacing young sociopath racked by catholic guilt, fear and loathing. Attenborough's portrayal remains the definitive version of the main character, but this Rowan Joffe film has many other improvements over the rather dated original. Gone are the dark settings and minimalistic scenes, replaced by good use of interiors, and panoramas of 1960s Brighton. There are many well-directed set pieces, good use of colour, and we also have a superior supporting cast, including Dame Helen Mirren as Ida, John Hurt as bookie Corkery, Andy Serkis as Colleoni, and Philip Davis as Spicer. Joffe's direction is exemplary throughout. Clearly he has similar talents to his father Roland Joffe, who, in the 1980s, directed Oscar nominated features The Killing Fields and The Mission.


 

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Brighton Rock

Pinkie is constantly between a rock and a hard place. Deeply uncomfortable with the path he is forcing himself down, he lacks self respect but seeks it from others - especially his own gang members, acting gang leader Spicer, and rival mobster Colleoni. On occasions we see his mask of invulnerability slip to reveal a scared kid - notably when he asks forgiveness from God when he thinks he will be murdered by a rival gang, hiding behind a groyne on Brighton beach. Pinkie fears death even more than he fears life. Rose (Andrea Riseborough), a shy, awkward and disaffected waitress at Ida's tearoom emporium becomes a material witness to the murder of Hale (Sean Harris), and is deliberately befriended by Pinkie in a bid to get his hands on damning photographing evidence.

Richard Attenborough & Carol Marsh

Andrea Riseborough is excellent support as Rose, lovestruck and desperate for attention, fiercely loyal yet occasionally wilful - for example when she insists Pinkie makes a recording of his voice in a booth on the pier. This recording is used in the final scene, mirroring the ending of the original movie, but not the book. Greene's ending was even more bleak, but it is unlikely he would have too many other complaints. Setting the movie in 1964, the final year before the abolition of capital punishment, was an excellent decision, allowing the backdrop of violence between mods and rockers to add to the undercurrent of menace.

8/10 Excellently adapted

Review written by John Franklin : March 2011

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